~ Dr. Jerry Liang 1998

                                 

MSc Sonic Arts

The MSc in Sonic Arts is designed to reflect SARC’s research philosophy and as such is aimed at Music, Computer Science or Electrical and Electronic Engineering graduates with a passion for Music Technology. The course has been designed to extend the core skills of the student and to provide opportunities to acquire new interdisciplinary skills in a range of cognate areas. Graduates in Sonic Arts will possess transferable skills of particular relevance to employment within the creative industries and high-technology industries (with which SARC has well established links).

The course content draws heavily on the research activity and expertise of the staff at SARC. Modules are offered in areas such as:

Sonic Art Composition

Audio Software Engineering

Digital Signal Processing

Physical Modelling of Musical Instruments

Digital Audio Technology

Surround Sound Recording Techniques

Music Informatics

Musical Interfaces for Creative Expression

On completion of the taught component of the course, students are required to submit a research project or portfolio in a chosen area of specialism.

Staff

The teaching team for the MSc is drawn from SARC and from Schools associated with SARC. The staff include:

Professor Michael Alcorn (Director of SARC): composition, sound synthesis & signal processing
Dr Christina Anagnostopoulou: music informatics, cognitive modelling, semiotics
Dr Stefan Bilbao: signal processing, physical modelling
Ludger Brümmer: algorithmic composition, music technology.
Dr Ricardo Climent: live electronics, composition
Dr Graham McAllister: computer programming

Facilities at SARC

The centrepiece of the Sonic Arts Research Centre is its Sonic Laboratory – the first of its kind in the world. As a creative facility it could best be thought of as a 'cinema for the ear' - a specialist acoustic space designed to provide a unique and exciting listening experience. Over sixty high quality loudspeakers can be flexibly positioned in the Sonic Laboratory to project and move sounds throughout the space. As a research facility, it provides unparalleled opportunities to develop and test new ideas relating to loudspeaker design, loudspeaker placement, music perception, music interaction, delivery and diffusion. Audiences and researchers can be located at the centre of the space (within a three dimensional audio field). No other auditorium for sonic art performance and experimentation currently exists with this revolutionary feature.

Complementing the Sonic Laboratory are the following state-of-the-art studio resources:

A broadcast quality Surround Sound Recording Studio directly adjacent to the Sonic Laboratory and linked via forty-eight microphone lines
A Spatialisation Studio with high quality monitoring in up to twelve channels allowing 5.1, 7.1, octophonic and future surround sound configurations
A Super Audio CD Authoring Studio with 5.1 monitoring
A DVD Authoring Studio with 5.1 monitoring
An Interactive Composition Studio for compositional work with live electronics
A Computer Suite with twenty dual boot workstations running Windows and Linux
An ITU specified critical Listening Room
A Tieline Room housing over eighty line level tielines interlinking each of the studio spaces

All of the studio facilities at SARC have been acoustically isolated and treated in consultation with ARUP Acoustics.

Entrance Requirements

A 2.1 (honours) degree or above is required in one of the following areas: Music/Music Technology, Computer Science, Electrical and Electronic Engineering, or another related discipline.

More detail information please link to the website as below:

School of Music

 
               
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